Her work collects fragments, relations and stories from everyday life. She combines and restructures these elements to present them as speculative interpretations that challenge our perspective on power relations and the gestures that perpetuate them.
Everyday habits are turned inside out until they become vulnerable, relational and permeable. Her handmade objects and installations bring together sculptural forms and fluid materials that possess a performative potential. The resulting deconstructions of social conditioning and gender identity translate into spatial interventions suspended in states of liminality.
The Color of Laundry
Kinetic installation, audio work
Steel, textile, soap, plastic, blue
Variable dimensions
Accompanying audio work
composed by Thessa Krüger.
Installation views by Anwyn Howarth.
A manipulated soundscape—composed of recordings of water, friction, and domestic gestures—disrupts the sensory satisfaction of ASMR, amplifying unsettling textures and motions. This sonic layer builds tension between comfort and disruption, heightening the physical gestures of the machine and challenging sanitized depictions of domestic labour.
By aestheticizing failure, the project exposes the political agency embedded in domestic work, emphasizing the importance of reclaiming everyday maintenance tasks as opportunities for confronting hidden labour and power structures.
Text by Nadine Botha from the GS2025 catalogue published by Design Academy Eindhoven. This work was developed at the Contextual Design department of Design Academy Eindhoven in 2025. Supervised by Afaina De Jong, Ben Shai van derWal and Maia Kenney.